(Photo by Bobby Johnson on Unsplash)
Introducing a new novella I’m starting with the prompting (and requirement) of my Creative Writing class! I never though I’d write a fantasy story, but here I am, writing a fantasy story. 😉 Each week I will post a new chapter. To see the prologue, click here. Hope you enjoy this story analysis!
Title: The Healer of Istagun (you may find it interesting that “Istagun” means “seasons” in Maltese)
Author: Grace Caylor
Audience: Middle schoolers and high schoolers
In order of appearance:
Dahlia – Resides in Summer. Eighteen years old. Tall and thin, curly brown hair, and brown eyes. Compassionate and hopeful yet stubborn nature. A human slave who must work in the fields of Summer for the evil fairies. She is determined to save her younger sister Hollis from dying from sickness.
Hollis – Resides in Spring, later transported to Winter. Thirteen years old. Golden blonde hair, small frail figure, and very pale skin due to long-term sickness. She’s not as innocent as she looks. She understands things her older sister, Dahlia, doesn’t want her to understand.
Andrea – Resides in Summer. Nineteen years old. Black thick hair, medium brown skin, black eyes. Extremely bubbly and friendly to everyone. A human slave who must work in the fields of Summer for the evil fairies. Disagrees with her serious friend, Dahlia, on many things.
Gesu – Resides in Summer, later transported to Winter. Thirty years old. Tall and broad-shouldered, tan skin, shaven face, and dark brown hair. An extraordinary healer that people come to so he can cure them. Silent and brooding, yet also thoughtful and kind.
Tarquin – Resides in Summer. Twenty years old. Tall and thin, brown skin, black hair with scruffy beard. Works on mines between the lands of Summer and Autumn. Impulsive, yet passionate about the right things, such as finding Gesu the healer. Dreams to escape the island of Istagun and sail to the land beyond the sea.
Prima – Resides in Summer. Older than the trees. A small green, fragile fairy who talks fast and curtly. She is a servant of Gesu and loves him very much.
Queen Hazina – Resides in a palace in the center of Istagun. Older than the trees. The evil fairy Queen of Istagun. Giant sparkly rainbow wings. Cruel and demanding. Wants all humans dead so she can replace them with the strong species, the Treelanders, to toil for her instead.
Minor characters: Dahlia and Hollis’ parents and grandparents, mud wall monsters, Treelanders
Point of View
The story is told from Dahlia’s point of view.
Throughout the story, Dahlia transports to the lands of all four seasons. At the end, every land turns to the season of summer, showing that that was true time of year all along.
Eighteen-year-old Dahlia’s younger sister, Hollis, is surely going to die—if she’s not already dead. Unfortunately, the evil fairies of the island of Istagun don’t allow young adults to travel back to the land of Spring, where only children live. When Dahlia discovers a remarkable healer, Gesu, in the land of Summer, hope springs within her. After asking Gesu for help, she travels with his fairy servant, Prima, to find her sister and bring her back. But when she can’t find Hollis and Gesu gets missing too, Dahlia must seek the help of Tarquin, a young miner who has secrets of his own hidden in his basement. Will Dahlia find both Hollis and Gesu in time before the Queen of Istagun completely replaces the humans with a stronger species?
Woman vs. fairy Queen – Major conflict. Dahlia is trying to find both Gesu and Hollis, who are taken to Winter by the queen’s orders. This is a conflict because it makes it harder for Dahlia to find them.
Girl vs. sickness – Major conflict. If the sickness wins over Hollis, she dies and all of Dahlia’s efforts to find he are in vain.
Woman vs. woman – Minor conflict. Andrea and Dahlia disagree about marriage. Andrea thinks it’s the greatest thing and that you should do it, but Dahlia doesn’t think anyone should marry, because she doesn’t want her children to experience the misery of slavery and being separated from their parents.
Woman vs. man – Minor conflict. Tarquin is in love with Dahlia, but she doesn’t want to consider him.
Woman vs. fairy – Prima wants Dahlia to go to Winter to find Hollis, but Dahlia is too optimistic and goes to Summer. Prima also wants Dahlia to seek Tarquin’s help, which after some debate, Dahlia agrees to.
Sacrifice brings life.
Love covers over a multitude of sins.
Allegory – Gesu’s blood heals the sick. This represents Jesus’ death healing sinners.
Ceasura – Prima stops abruptly in between sentences: “Get along, ladies—I’ll do the work—you know you can’t be seen.”
Prologue – I include a prologue so that the reader gets more of an insight into the story world, as well as the relationship between Dahlia and Hollis.
Dahlia and Hollis’ sweet love for one another is one of my favorite parts of this book. I also love how level-headed Hollis is even though she’s so young. Fantasy is usually not my favorite, but because this is a spiritual allegory along with some ideas that can be transferred to the modern world, it intrigues me. I love that this story is more about the characters and emotions than the story world, even though the story world is naturally a part of it. Speaking of story worlds, my younger sister actually helped me come up with the idea of four seasons separated into four different lands—and clearly, I think this is an intriguing idea this story has to offer. 😉 Another part of this story I enjoy is Prima, a fairy that chooses not to follow the evil queen but chooses to serve the healer Gesu. She’s innocent and quick-witted all at once. Finally, Tarquin is just way too cool. *Spoilers* He builds a ship underground in hopes to one day escape Istagun and sail to the lands beyond the sea.
Have you ever written or begun writing a book? Or do you have an idea for one you wished you had time to write? I’d love to hear about it! 🙂